- "'Tis a consummation/ Devoutly
to be wished. To die, to sleep, / To sleep-perchance to dream- ay, there's a
rub..."(3.1.63-65).
-
"For in that sleep of death
what dreams may come/ When we have shuffled in off his mortal
coil..."(3.1.66-67)
·
“…the mind to suffer…”(3.1.57)
·
“The heartache, and the thousand
natural shocks…”(3.1.62)
·
“For who would bear the whips and
scorns of time,”(3.1.70)
·
“Be all my sins remember’d.”(3.1.90)
- Pathos: (Appeal
to the emotions or interest of the audience)
- All of the following examples are very deep quotes
that really show how Hamlet is feeling and what is going on in his
mind. He doesn’t leave us any
misunderstanding of how he is feeling inside, he makes his feelings very
dramatic, and he wants us to know how depressed he is.
- “To be, or not to be: that is the question:”(3.1.56)
- “The slings and arrows of outrageous fortune,” (3.1.58)
- “The pangs of despised love, the law’s delay,” (3.1.72)
- “Be all my sins remember’d” (3.1.90)
- The significance of all of these literary devices is to make certain points stronger and more intense. Without these the speech would be boring and wouldn’t grab your attention as much. Without these it would be boring, there would be nothing to analyze, and nothing to figure out. A very important metaphor used in this speech is, “O to take arms against a sea of troubles…” (3.1.59). This is very impactful and the way it’s said is more complex and deep than just talking in regular terms. Evidence of life on earth, afterlife, death,humans, and thinking are shown in all of the quotes in the two sections above. They cover all of these topics in very deep and meaningful ways. All of the questions Hamlet ponders have to do with death. Examples: "And by opposing end them?"(3.1.60). "...with a bare bodkin?"(3.1.76) (and so on). Hamlet draws one main conclusion; death is real, it’s not a fun thing, and it will be one of the toughest things a loved one [of someone dying or dead] will have to go through.
- 3 Oppositions:
- "To be, or not to be: that is the question:"(3.1.56) This quote, alone, is opposition in itself.
- "To die: to sleep;/ No more; and by a sleep to say we end/ The heart-ache and the thousand natural shocks..."(3.1.60-62) First this is talking about death and that death might be the better way off but then it talks about how there might be heatache that comes along with that death.
- "And makes us rather bear those ills we have/ Than fly to others that we know not of?"(3.1.81-82) This is opposing eachother because first its saying that we have to take hold of the htings we need to fix, but then it says that we let go of things that we dont even know about; which isnt possible because if we dont know about these problems, then there is no wa to do anything about it.
The next
video, done by Laurence Olivier, is more dramatic. This is portrayed by showing large crashing
waves on large rocks. This leads into my
speech very nicely and really sets the mood for the rest of my speech. The lights stay dimmed and dark the whole
time which also helps get my point about death across to those that I can’t
stand. Other than me talking, you can
hear the waves crashing and that’s it.
This keeps the speech intimate yet intense. At one point they show me take out a dagger
and I hold it to my chest as if I’m going to kill myself, then I pull the sword
away but its referencing that I want to kill myself and that I’m talking about
death. Towards the end, I start walking
away into the darkness and then go down the steps, which is representing me
walking right back into the darkness and still being a sad person inside; not
being able to escape my troubles.
Next, Mel
Gibson’s version is a little more abstract and is in a different setting, which
is a cave-like place. The cave is almost
completely dark and the passion shown on my face is very evident and what I am
singing about is shown thoroughly through my expressions. At one point the light shines on my face,
which is at a more “happy” point in the speech (not that there’s any happy part
in the speech, but somewhat better than death).
When I say, “With this regard their currents turn awry,” (3.1.87) this
is when the light shines. Then it goes
dark again and I walk to the steps in misery and just kneel down at the
steps. This doesn’t include a sword but
it did not need one. Through my actions,
my enemies can tell that I am not in a happy place in life and that I am
depressed and mad.
The last
video by Ethan Hawke is a more humorous approach but still isn’t funny. It grabs your attention a little more because
you’re not expecting a speech this serious to be in Blockbuster. I start by walking through the ‘action” isle
in the store with a scary and intense movie playing on the TV’s in the
background. Also, in the background
there is very sad music playing. SO,
through all of the things that are shown or heard, we collect that the speech
is action-filled, intense (because of the movie), sad because of the music,
somewhat light because of the hat I wear, and lastly, still deep and sad because
of the language I use and all of the comparisons I make throughout.
My favorite
acting job and favorite elements occurred in the Laurence Olivier video. This is because of all the different
qualities really got blended together to get my point across. It is a very dramatic representation of my
speech but really gets across the main pints o death, sorrow, depression, love,
life, and all of these different components.
I wouldn’t change anything about any of these videos because all of them
are very different but unique in their own ways. Things that were in some of the videos wouldn’t
have worked in others, and some things in other videos wouldn’t have worked in
some of the other ones. Everything
blended together very well and really got the meaning of my speech across and highlighted
all the important parts. The correct
props, lighting, and diegetics were used in all of them to work together
perfectly and get my point across. My favorite
interpretation of it was Laurence Olivier’s version and got the points that I thought
were most important across.
__Hamlet__
Dear boy,
ReplyDeleteI will try to be kind, as you've been trying my patience for so long as of recent... Anyways, anyways, I must disagree with your personal choice of which acting of you was the best. I feel that Kenneth was the best at portraying you in this scene, if only for the reason of the line "Soft you now,/The fair Ophelia! (3.1.88-89)" being used as it were in your original soliloquy. It stays the most true to what you did - let me not forget it.
I will agree, however, that the Ethan Hawke version wasn't quite funny, and that it certainly wasn't expected out of someone looking like... That. And as "the most immediate to our throne (1.2.109)", he should certainly have been better dressed than he was!
Well... I suppose we may have differing opinions, and that must be how it is.
Your Father, Claudius
Hamlet,
ReplyDeleteI do agree with your opinon on the Kenneth Branagh version. I too do think it was pretty intense. The line "To be, or not to be, that is the question:" (3.1.56) was said in a very intense way.
I do however disagree on which version you think is the best. I think the Mel Gibson version was the best. When you say "And by opposing end them. To die, to sleep-"(3.1.60) The camera shows what seems to look like a grave. I think that this version was the best because it had the best location in my opinon.
-Gertrude